"Screencasting" refers to a digital recording of the action on a computer screen, and is sometimes called video screen capture. The programs visible on screen, the movement of the mouse, and the speaking voice of the presenter (captured by external microphone) are all part of the video. The overall effect is similar to imagining a video camera over the shoulder of a presenter sitting at the computer, with all on-screen action captured.
Many instructors opt to "chunk" screencasts into shorter, more digestable presentations of 15 minutes or less (sometimes as little as five minutes). Such an approach has multiple benefits, including a more narrowed focus and an increased likelihood that students will find the time to view the videos.
Commercial software has been available for years to make screencasts, including TechSmith’s Camtasia ($299) and Adobe’s Captivate ($799). These full-featured programs include every editing, mixing, and re-mastering function imaginable, and are very user-friendly. However, they are expensive.
More recently, cheaper alternatives have emerged. The table below highlights several free screencast options:
Name |
Cost |
Features |
| AuthorPoint Lite | Free |
conversion of narrated PowerPoint file into .swf movie; can upload directly to Webcourses; integrated navigation bar. Free client software needs to be installed. No time limit. |
| iSpring Free | Free |
conversion of narrated PowerPoint file into .swf movie; can upload directly to Webcourses; integrated navigation bar. Free client software needs to be installed. No time limit. Easier file integration than AuthorPoint Lite. Also allows for YouTube embed in "regular" PPT presentations |
| Jing | Free |
five minute time limit; download output in .swf |
| Camtasia or Captivate | Expensive |
full-featured software to record screen (or individual programs); editing is possible, add effects and text, add captions. |
There are also several commercial products in the affordable range, such as !Quick Screen Recorder ($29), SnagIt ($49), and FullShot ($49).
For assistance with any of these tools, contact the Faculty Center.
Section 508 of the Americans with Disabilities Act specifies that reasonable accommodations toward an equivalent experience must be made for students with a demonstrated need who request accommodation. In the case of narrated videos, synchronized closed-captioning is the preferred accommodation (an unsynced separate script file, such as MS-Word, may not be considered fully accommodative).
It may be best to originally record your video while reading from a script rather than extemporaneously lecturing (since the latter would give rise to a need to transcribe your spoken words separately). Using full-screen capture (such as CamStudio.org) offers one cost-free way to display the existing video file in one part of the screen, and the appropriate close-captions in another part of the screen, perhaps via Notepad or MS-Word.
The Department of Justice also issued a letter stating that instructional material must be compliant with ADA requirements; see also this FAQ.
See Student Disability Services for further information and options.
Terry Thaxton
College of Arts and Sciences
Iam a teacher of creative writing, dedicated to UCF, its students, and ourcommunity. I am poet and essayist. My teaching, research, and service convergeon writing a rigorous discipline and as an impetus for social change.Myfirst priority is creating an atmosphere in which students want to learn thec...
Debopam Chakrabarti
College of Medicine
My teaching philosophy is to offer students a course that is accurate, comprehensive, and intellectually gratifying where students are presented not only general concepts but also on how these concepts are developed using experimental strategies. In my opinion, the subject should be taught by engendering an under...
Patricia Angley
College of Arts and Humanities
Interaction with my
students motivates me to find different and innovative classroom techniques,
methods, and challenges to keep them engaged with their learning. I try to
listen to them, hear what they know and don't know so that we can make meaning
together as we read and interpret diverse and difficult text...